EMBODY

Devising Theatre

Part I - BUTOH

竹之內淳志舞踏演出及工作坊

Atsushi Takenouchi Butoh performance and workshop

(2020.4.22-29, HONG KONG)

When we think about solo performances, those beautiful moments always associate with presence or being. The most basic and most crucial ingredient for improvisation was to follow the impulse, therefore with such a form, the essence of a human body remains and the performativity of a body ravels. It is important to note that an impulse is not an idea, thought or plan, an impulse under this context, can be described as a “sudden wish or urge that prompts an unpremeditated act or feeling”. To be able to build on what is present roots in the fact that only available resources can be used for improvisation; and for a mover, the only available resource is the body and the working frame.

To make an improvisational performance possible, a dedicated frame, the ability of the performer and an experimental spirit are required. Butoh Dance Performances cope with these with their own disciplines, and they beautifully bend improvisation into a performance. By introducing an Italy-based Japanese Butoh dance company - Atsushi Takenouchi JINEN BUTOH, hopefully to offer another possible way of solo performance making and also seeing.

Last but not least, this is the first workshop and performance of Atsushi Takenouchi in Hong Kong, while he has been running JINEN butoh school in Pontedera (Italy) for more than a decade, dont’t miss out!

當我們想到獨舞或獨腳戲的時候,許多舉手投足的瞬間,觀眾不禁被表演者的「存在感(Presence)」迷住。當我們講即興的時候,會視「動機(Impulse)」為關鍵詞,總不難發現追隨動機的表演身體有着「一瞬間時間好像靜止了」的能力。重點在於不要錯認「動機」為想法、概念或計劃,「動機」在這個語境底下是與當下有關的,無關呈現,卻有着真實的觸感。如何在即興之中做到隨心所慾而不踰距,身體作為一切動作的源頭,何不回歸身體思考,脈動作為行動而不是大腦想好了再行動。

做有着「即興」意味的創作,不止需要一個淬錬的框架,還需要功夫了得的演者及敢於實驗的精神。舞踏 (Butoh)作品將以上三種特質完美演繹,今次特邀旅居意大利的日本舞踏大師竹之內淳志,將會分享舞踏技巧及創作心得,務求讓大家以舞踏作為手段去探索個人舞動創作的可行性及可能性。竹之內老師首次訪港,除了分享5天工作坊外,還帶來一個巡演歐洲的獨舞作品《Embrace》,萬勿錯過!

EMBODY 

Devising Theatre

Part 0 -

ContacT Improvisation

朱星朗接觸即興工作坊

Contact Improvisation Workshop by Christopher Chu

(2018..8.27-9.1 HONG KONG)

行動哲思 -「接觸即興」之初探及深省

Mindful Encounters - A preliminary & reflective approach to Contact Improvisation


「接觸即興」肇始於 20 世紀 70 年代,乃影響當代舞蹈至鉅的後現代身體探索。歐 美各大當代舞團入團必備之技,竟又如此平易近人、老少咸宜。其不僅是肢體語彙, 更重要是其背後之哲思與肢體觀。一種兩個人或以上的即興舞蹈,即興者經由「接觸」 以及「彼此跟隨」,形成即興動機,在感知彼此身體狀態下互動,一起成就即興舞蹈。 是一個由身體傳達建議與跟隨,如對話溝通般人際關係的互動。Contact improvisation (CI) is a form of improvised dance that has been developing internationally since 1972. CI’s influence can be seen throughout modern and postmodern movement research worldwide. CI is a must for professionally trained dancers in both European and American dance troupes, at the same time which is also enjoyed by movers of all kinds. CI is not only a body language, but also a philosophy in action, especially in relationship to partnering and use of weight. The intention of moves is induced by all means of contact, the spontaneous physical dialogues of two or more generate a flow, the interactions through sensing create the improvised dance.

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© DEC 2017 by Kiwi Chan

kiwi.kwchan@gmail.com 

UnitB, 8/F, Hung Cheong Factory Building, 

742-748 Cheung Sha Wan Rd, 

Cheung Sha Wan, Hong Kong

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