過去兩年都沒有發表作品, 但有認真生活。這個演出的初衷是整理過去幾年的體悟, 從而尋找新的可能。一直都想做個情理兼備的小演出, 亦都想做一些動作的小實驗, 所以在一年前找來Frieda嘗試以身體溝通去探索自身的可能與不可能。

這不是一個宏大的演出, 我希望這個製作是一個作品而不是一個成品; 作為我旅程的一個中轉站。

Is it possible to apply probabilty to life? What is the possibility of meeting someone in between destinations? What is the probability of saying "no"? What is the possibiliity of acceptance? How to make a "relation" possible?

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身體的記憶偶然被挑動，生命與生命環環相扣，過去的傷疤在一趟火車之旅中重新被勾勒。

劇場是一個分享生命的地方，觀者及演者是實實在在的一起花時間。在現代，人與人之間的連繫愈來愈脫離現實，我所渴望的「真實」終究一無所得？

This is a show about "we" reconnect to the world by releasing the somatic memories. "The way in is the way out." A traumatic childhood event interfere with encounters on a train heading to somewhere, somewhere in between life and death, a theatre. 

A theatre, where moments are shared, so as life. In this disconnecting modern life, we desire to touch the reality, while the reality is a mist. 

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